Audience Responses
We evaluate our audience’s responses to each screening and the latest figures are added to the table below soon after each film has been shown. You can also see our audiences’ past reactions to films from our previous seasons, giving you Berwick Film Society’s track record.
| Season 2011/2012 | Excellent | Good | Fair | Poor | Number Voting | Positive Response % |
| Neil Brand – The Silent Pianist Speaks | 78 | 29 | 4 | 0 | 111 | 92% |
| Oranges and Sunshine | 105 | 25 | 5 | 0 | 135 | 94% |
| Of Gods and Men | 59 | 41 | 15 | 2 | 117 | 84% |
| Loose Cannons | 58 | 41 | 13 | 1 | 113 | 85% |
| Animal Kingdom | 37 | 34 | 12 | 3 | 86 | 81% |
| Wild Target | 64 | 41 | 13 | 3 | 121 | 84% |
| Waste Land | 71 | 30 | 8 | 1 | 110 | 89% |
| Bicycle Thieves | 32 | 23 | 13 | 0 | 68 | 82% |
| Farewell | 62 | 34 | 4 | 1 | 101 | 89% |
| A Screaming Man | 36 | 47 | 19 | 4 | 106 | 77% |
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At the end of the 2010/2011 season, our supporters were invited to give their views on Berwick Film Society in a special QUESTIONNAIRE. A summary of the responses is available here (PDF).
| Season 2010/2011 | Excellent | Good | Fair | Poor | Number Voting | Positive Response % |
| Mark of an Angel | 57 | 50 | 14 | 4 | 125 | 82% |
| Welcome | 60 | 32 | 1 | 2 | 95 | 89% |
| The Secret in Their Eyes | 79 | 17 | 4 | 1 | 101 | 93% |
| The Market | 15 | 25 | 14 | 2 | 56 | 74% |
| Lebanon | 22 | 32 | 5 | 1 | 60 | 81% |
| Behind the Sun | 59 | 39 | 4 | 2 | 104 | 87% |
| The Concert | 79 | 25 | 8 | 0 | 112 | 91% |
| Sin Nombre | 13 | 14 | 12 | 5 | 44 | 70% |
| Still Walking | 31 | 54 | 16 | 0 | 101 | 79% |
| The White Ribbon | 34 | 50 | 13 | 6 | 103 | 77% |
| My Afternoons with Margueritte | 114 | 25 | 0 | 0 | 139 | 96% |
| Season 2009/2010 | Excellent | Good | Fair | Poor | Number Voting | Positive Response % |
| I’ve Loved You So Long | 90 | 13 | 2 | 0 | 105 | 96% |
| Il Divo | 11 | 29 | 29 | 15 | 84 | 61% |
| The Visitor | 63 | 15 | 0 | 0 | 78 | 95% |
| Dean Spanley | 52 | 33 | 9 | 1 | 95 | 86% |
| North Face | 79 | 22 | 6 | 0 | 107 | 92% |
| Anything For Her | 43 | 33 | 12 | 1 | 89 | 83% |
| The Fall | 56 | 33 | 9 | 1 | 99 | 86% |
| Fugitive Pieces | 64 | 19 | 6 | 0 | 89 | 91% |
| Conversations With My Gardener | 74 | 28 | 0 | 0 | 102 | 93% |
| Season 2008/2009 | Excellent | Good | Fair | Poor | Number Voting | Positive Response % |
| The Darjeeling Limited | 15 | 29 | 16 | 1 | 61 | 74% |
| 36 Quai des Orfèvres | 35 | 23 | 6 | 3 | 67 | 84% |
| The Band’s Visit | 37 | 34 | 6 | 1 | 78 | 84% |
| After the Wedding | 43 | 14 | 5 | 2 | 64 | 88% |
| The Italian | 59 | 31 | 4 | 0 | 94 | 90% |
| Half Moon | 22 | 24 | 12 | 3 | 61 | 77% |
| The Orphanage | 27 | 24 | 11 | 1 | 62 | 81% |
| The Counterfeiters | 63 | 18 | 2 | 0 | 83 | 93% |
| Season 2007/2008 | Excellent | Good | Fair | Poor | Number Voting | Positive Response % |
| Jindabyne | 19 | 45 | 11 | 0 | 75 | 78% |
| Seres Queridos | 34 | 19 | 0 | 0 | 53 | 91% |
| Everything Is Illuminated | 26 | 20 | 3 | 0 | 49 | 87% |
| Tell No One | 46 | 24 | 6 | 1 | 77 | 87% |
| The Lives of Others | 64 | 6 | 0 | 0 | 70 | 98% |
| Water | 28 | 17 | 6 | 1 | 52 | 85% |
| Small Engine Repair | 11 | 32 | 9 | 3 | 57 | 74% |
| Orchestra Seats | 54 | 10 | 3 | 0 | 67 | 94% |
| Season 2006/2007 | Excellent | Good | Fair | Poor | Number Voting | Positive Response % |
| On A Clear Day | 21 | 26 | 1 | 0 | 48 | 85% |
| Bread and Tulips | 47 | 19 | 5 | 0 | 71 | 90% |
| The Station Agent | 30 | 29 | 3 | 0 | 62 | 86% |
| Central Station | 35 | 28 | 4 | 0 | 67 | 87% |
| Tsotsi | 32 | 12 | 4 | 0 | 48 | 90% |
| Like Water for Chocolate | 11 | 29 | 11 | 1 | 52 | 74% |
| Il Postino | 39 | 20 | 0 | 0 | 59 | 92% |
| Belleville Rendezvous | 20 | 15 | 10 | 0 | 45 | 81% |
| Previous Spring Mini-season 06 | Excellent | Good | Fair | Poor | Number Voting | Positive Response % |
| Crash | 43 | 38 | 13 | 10 | 104 | 77% |
| Monsoon Wedding | 33 | 38 | 6 | 1 | 78 | 83% |
| The Insider | 53 | 31 | 10 | 2 | 96 | 85% |


