{"id":63,"date":"2018-02-05T14:38:36","date_gmt":"2018-02-05T14:38:36","guid":{"rendered":"https:\/\/train4.hypestartraining.co.uk\/?page_id=63"},"modified":"2026-04-15T20:56:10","modified_gmt":"2026-04-15T20:56:10","slug":"next-films","status":"publish","type":"page","link":"https:\/\/berwickfilmsociety.co.uk\/index.php\/next-films\/","title":{"rendered":"Next Films"},"content":{"rendered":"<h4><span style=\"color: #ffffff;\"><strong>Wednesday 29 April 2006 at 2.00pm &amp; 7.00pm<\/strong><\/span><\/h4>\n<h3><strong>The Voice of Hind Rajab<\/strong> (15)<\/h3>\n<h6>Tunisia\/France 2025. 1hr 29m. Dir: Kaouther Ben Hania. Cast: Sajar Kilani , Motaz Malhees. Language: Arabic (subtitled). [Original title: <span style=\"color: #ffffff;\">Sawt Hind Rajab<\/span>]<\/h6>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1114\" src=\"https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Voice-of-Hind-Rajib.jpg\" alt=\"The Voice of Hind Radab\" width=\"400\" height=\"265\" srcset=\"https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Voice-of-Hind-Rajib.jpg 400w, https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Voice-of-Hind-Rajib-300x199.jpg 300w, https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Voice-of-Hind-Rajib-150x99.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/>A dramatised depiction of a true event using real voice recordings. When an emergency call is received at the Red Crescent headquarters, the phoneline volunteers must send out an urgent alert through an infuriating pathway of bureaucratic hurdles in order to organise a rescue.<\/p>\n<p>A child is trapped by a highly dangerous situation in Gaza but protocol must be followed if the rescue services are to reach her. Emotions build and time is of the essence. The on-screen activity is all contained within the volunteers\u2019 office while they navigate the logistics of a vital rescue, consequently we can sense their heightening desperation. But control is not in their hands.<\/p>\n<p>This is powerful cinema at its utmost affecting, in which what we hear and learn can impact even more than visual depiction.\u00a0 The innocents caught up in the mayhem of war and oppression reach out to the ears and hearts of people around the world, but often go unheard. Steel yourself for this visceral experience and listen to the real voice of Hind Rajab.<\/p>\n<p><strong>Note: contains content which may distress<\/strong><\/p>\n<blockquote><p><span style=\"color: #ffcc00;\">\u201cIt is impossible to watch The Voice of Hind Rajab and remain unchanged\u2026it is the film that, above all others, demands to be seen\u201d <\/span><br \/>\n<span style=\"color: #ffcc00;\">Jack Salvadori, UK Film Review<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ffcc00;\">\u00a0\u201cNo other film this year will get more people talking\u201d <\/span><br \/>\n<span style=\"color: #ffcc00;\">Nicolas Barber, BBC Culture<\/span><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #ffffff;\"><strong>Wednesday 13 May 2026 at 2.00pm &amp; 7.00pm<\/strong><\/span><\/h4>\n<h4><strong>Four Mothers<\/strong> (15)<\/h4>\n<h6>Ireland 2024. 1hr 29mins. Dir: Darren Thornton. Cast: James McArdle, Fionnula Flanagan. Language: English.<\/h6>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1115\" src=\"https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Four-Mothers-2.jpg\" alt=\"Four Mothers\" width=\"400\" height=\"254\" srcset=\"https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Four-Mothers-2.jpg 400w, https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Four-Mothers-2-300x191.jpg 300w, https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/Four-Mothers-2-150x95.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/>In this droll Irish charmer, novel writer Edward looks at last to be finding success when the promise of a U.S. book tour beckons. His other role as primary carer to his mother, with whom he shares a house, is about to be expanded when friends decide Edward is the perfect person to help them out so that they can attend a Pride event in the Canary Islands. The doorbell rings and domestic chaos ensues&#8230;<\/p>\n<p>A loosely based re-make of the Italian film <em>Mid August Lunch<\/em>, here\u2019s light-end amusement with some sensitive reflections on human relationships.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><span style=\"color: #ffcc00;\">\u201cDarren Thornton&#8217;s Four Mothers gives articulate voice to the four female characters, highlighting the importance of age inclusiveness\u201d <\/span><br \/>\n<span style=\"color: #ffcc00;\">Eddie Harrison, The List<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ffcc00;\">\u201cFour Mothers offers comfort for the last chilly days of spring. It shows professionals of several generations to advantage\u201d<\/span><br \/>\n<span style=\"color: #ffcc00;\">Donald Clarke, Irish Times<\/span><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Click the image for the Season programme <a href=\"https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/BFS-programme-2026-Jan-May.pdf\" target=\"_blank\" rel=\"noopener\">January-May 2026<\/a>:<\/p>\n<p><a href=\"https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/BFS-programme-2026-Jan-May.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-768\" src=\"https:\/\/berwickfilmsociety.co.uk\/wp-content\/uploads\/2025\/12\/BFS-2026-Jan-May-cover.jpg\" alt=\"2026 January-May cover\" width=\"250\" height=\"247\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday 29 April 2006 at 2.00pm &amp; 7.00pm The Voice of Hind Rajab (15) Tunisia\/France 2025. 1hr 29m. Dir: Kaouther Ben Hania. Cast: Sajar Kilani , Motaz Malhees. Language: Arabic (subtitled). [Original title: Sawt Hind Rajab] &nbsp; A dramatised depiction of a true event using real voice recordings. When an\u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/berwickfilmsociety.co.uk\/index.php\/next-films\/\">Continue reading<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-63","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":0,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/63\/revisions"}],"wp:attachment":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}