{"id":72,"date":"2018-02-05T14:42:43","date_gmt":"2018-02-05T14:42:43","guid":{"rendered":"https:\/\/train4.hypestartraining.co.uk\/?page_id=72"},"modified":"2026-06-05T13:13:02","modified_gmt":"2026-06-05T13:13:02","slug":"past-films","status":"publish","type":"page","link":"https:\/\/berwickfilmsociety.co.uk\/index.php\/past-films\/","title":{"rendered":"Past Films"},"content":{"rendered":"

Audience responses<\/h4>\n

We evaluate our audience\u2019s responses to each screening and the latest figures are added to the table below soon after each film has been shown. You can also see our audience’s reactions to recent film seasons, giving an indication of BFS’s track record.<\/p>\n\n\n\n\n\n\n\n\n\n\n
2026 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
Animalia (2023)<\/span><\/td>\n29<\/td>\n51<\/td>\n60<\/td>\n15<\/td>\n155<\/td>\n65%<\/td>\n<\/tr>\n
Lollipop (2024)<\/span><\/td>\n83<\/td>\n40<\/td>\n4<\/td>\n3<\/td>\n130<\/td>\n89%<\/td>\n<\/tr>\n
It was just an accident (2025)<\/span><\/td>\n66<\/td>\n46<\/td>\n18<\/td>\n4<\/td>\n134<\/td>\n82%<\/td>\n<\/tr>\n
Sentimental Value (2025)\u00a0 (extra)<\/em><\/span><\/td>\n88<\/td>\n48<\/td>\n20<\/td>\n2<\/td>\n158<\/td>\n85%<\/td>\n<\/tr>\n
Unmoored (2023)<\/span><\/td>\n46<\/td>\n71<\/td>\n30<\/td>\n5<\/td>\n152<\/td>\n76%<\/td>\n<\/tr>\n
The Voice of Hind Rajab (2025)<\/span><\/td>\n82<\/td>\n9<\/td>\n2<\/td>\n1<\/td>\n94<\/td>\n96%<\/td>\n<\/tr>\n
Four Mothers (2024)<\/span><\/td>\n69<\/td>\n45<\/td>\n13<\/td>\n2<\/td>\n129<\/td>\n85%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season programme January-May 2026<\/a>:<\/p>\n

\"2026<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2025 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
Rosalie (2023)<\/span><\/td>\n81<\/td>\n41<\/td>\n14<\/td>\n3<\/td>\n139<\/td>\n86%<\/td>\n<\/tr>\n
Heart of an Oak \/ Le Ch\u00eane (2022)<\/span><\/td>\n105<\/td>\n29<\/td>\n7<\/td>\n1<\/td>\n142<\/td>\n92%<\/td>\n<\/tr>\n
Comandante (2023)<\/span><\/td>\n73<\/td>\n55<\/td>\n13<\/td>\n1<\/td>\n142<\/td>\n85%<\/td>\n<\/tr>\n
All We Imagine as Light (2024)<\/span><\/td>\n24<\/td>\n52<\/td>\n40<\/td>\n5<\/td>\n121<\/td>\n70%<\/td>\n<\/tr>\n
The Seed of the Sacred Fig (2024)<\/span><\/td>\n67<\/td>\n23<\/td>\n5<\/td>\n3<\/td>\n98<\/td>\n89%<\/td>\n<\/tr>\n
Radical\u00a0 (2023)<\/span><\/td>\n118<\/td>\n10<\/td>\n1<\/td>\n1<\/td>\n130<\/td>\n97%<\/td>\n<\/tr>\n
Satu – Year of the Rabbit (2024)<\/span><\/td>\n63<\/td>\n36<\/td>\n10<\/td>\n0<\/td>\n109<\/td>\n87%<\/td>\n<\/tr>\n
I’m Still Here \/ Ainda estou aqui\u00a0 (2024)<\/span><\/td>\n77<\/td>\n32<\/td>\n6<\/td>\n0<\/td>\n115<\/td>\n90%<\/td>\n<\/tr>\n
A New Kind of Wilderness\u00a0 (2024)<\/span><\/td>\n38<\/td>\n13<\/td>\n5<\/td>\n0<\/td>\n56<\/td>\n90%<\/td>\n<\/tr>\n
Santosh\u00a0 (2024)<\/span><\/td>\n19<\/td>\n19<\/td>\n10<\/td>\n3<\/td>\n51<\/td>\n76%<\/td>\n<\/tr>\n
When Autumn Falls \/ Quand vient l’automne (2024)<\/span><\/td>\n52<\/td>\n57<\/td>\n12<\/td>\n1<\/td>\n122<\/td>\n83%<\/td>\n<\/tr>\n
Vermiglio (2024)<\/span><\/td>\n32<\/td>\n69<\/td>\n40<\/td>\n4<\/td>\n145<\/td>\n72%<\/td>\n<\/tr>\n
The Marching Band \/ En fanfare (2024)<\/span><\/td>\n137<\/td>\n9<\/td>\n1<\/td>\n3<\/td>\n150<\/td>\n97%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season brochure January – May 2025<\/a> (PDF):<\/p>\n

\"2025<\/a>\u00a0Click the image for the Season brochure September-November 2025<\/a>:<\/p>\n

\"2025<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2024 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
One Fine Morning \/ Un beau matin\u00a0 (2022)<\/span><\/td>\n52<\/td>\n57<\/td>\n35<\/td>\n5<\/td>\n149<\/td>\n76%<\/td>\n<\/tr>\n
1976\u00a0 (2022)<\/span><\/td>\n46<\/td>\n56<\/td>\n18<\/td>\n3<\/td>\n123<\/td>\n79%<\/td>\n<\/tr>\n
Past Lives\u00a0 (2023)<\/span><\/td>\n69<\/td>\n40<\/td>\n4<\/td>\n1<\/td>\n114<\/td>\n89%<\/td>\n<\/tr>\n
The Innocent \/ L’Innocent\u00a0 (2022)<\/span><\/td>\n60<\/td>\n56<\/td>\n10<\/td>\n0<\/td>\n126<\/td>\n85%<\/td>\n<\/tr>\n
The Quiet Girl \/ An Cail\u00edn Ci\u00fain\u00a0 (2022)<\/span><\/td>\n91<\/td>\n15<\/td>\n6<\/td>\n1<\/td>\n113<\/td>\n93%<\/td>\n<\/tr>\n
Anatomy of a Fall \/ Anatomie d’une chute\u00a0 (2023)<\/span><\/td>\n67<\/td>\n32<\/td>\n13<\/td>\n2<\/td>\n114<\/td>\n85%<\/td>\n<\/tr>\n
The Taste of Things \/ La Passion de Dodin Bouffant\u00a0 (2023)<\/span><\/td>\n68<\/td>\n43<\/td>\n20<\/td>\n5<\/td>\n136<\/td>\n82%<\/td>\n<\/tr>\n
Nezouh (2022)<\/span><\/td>\n50<\/td>\n53<\/td>\n12<\/td>\n1<\/td>\n116<\/td>\n83%<\/td>\n<\/tr>\n
Evil Does Not Exist \/ Aku wa sonzai shinai\u00a0 (2023)<\/span><\/td>\n10<\/td>\n41<\/td>\n46<\/td>\n20<\/td>\n117<\/td>\n59%<\/td>\n<\/tr>\n
The Teachers’ Lounge \/ Das Lehrerzimmer (2023)<\/span><\/td>\n49<\/td>\n64<\/td>\n15<\/td>\n5<\/td>\n133<\/td>\n80%<\/td>\n<\/tr>\n
If Only I Could Hibernate \/ Baavgal Bolohson\u00a0 (2023)<\/span><\/td>\n52<\/td>\n42<\/td>\n18<\/td>\n2<\/td>\n114<\/td>\n82%<\/td>\n<\/tr>\n
Rose (2022)<\/span><\/td>\n100<\/td>\n18<\/td>\n0<\/td>\n3<\/td>\n121<\/td>\n94%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season brochure January – May 2024<\/a> (PDF):<\/p>\n

\"Brochure<\/a><\/p>\n

Click the image for the Season brochure September-November 2024<\/a>:<\/p>\n

\"2024<\/a><\/p>\n

 <\/p>\n

Click here to see the archive of audience responses to our older screenings<\/a><\/h4>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Audience responses We evaluate our audience\u2019s responses to each screening and the latest figures are added to the table below soon after each film has been shown. You can also see our audience’s reactions to recent film seasons, giving an indication of BFS’s track record. 2026 Season Titles Excellent Good\u2026<\/p>\n

Continue reading<\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_wds_title":"","_wds_metadesc":"","_wds_focus-keywords":"Audience scores","_wds_meta-robots-adv":"","_wds_meta-robots-noindex":false,"_wds_meta-robots-nofollow":false,"_wds_meta-robots-index":false,"_wds_meta-robots-follow":false,"_wds_autolinks-exclude":false,"_wds_canonical":"","_wds_redirect":"","_wds_opengraph":[],"_wds_twitter":[],"footnotes":""},"class_list":["post-72","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":0,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/72\/revisions"}],"wp:attachment":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}