{"id":72,"date":"2018-02-05T14:42:43","date_gmt":"2018-02-05T14:42:43","guid":{"rendered":"https:\/\/train4.hypestartraining.co.uk\/?page_id=72"},"modified":"2026-03-26T12:21:02","modified_gmt":"2026-03-26T12:21:02","slug":"past-films","status":"publish","type":"page","link":"https:\/\/berwickfilmsociety.co.uk\/index.php\/past-films\/","title":{"rendered":"Past Films"},"content":{"rendered":"

Audience responses<\/h4>\n

We evaluate our audience\u2019s responses to each screening and the latest figures are added to the table below soon after each film has been shown. You can also see our audience’s reactions to recent film seasons, giving an indication of BFS’s track record.<\/p>\n\n\n\n\n\n\n\n
2026 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
Animalia (2023)<\/span><\/td>\n29<\/td>\n51<\/td>\n60<\/td>\n15<\/td>\n155<\/td>\n65%<\/td>\n<\/tr>\n
Lollipop (2024)<\/span><\/td>\n83<\/td>\n40<\/td>\n4<\/td>\n3<\/td>\n130<\/td>\n89%<\/td>\n<\/tr>\n
It was just an accident (2025)<\/span><\/td>\n66<\/td>\n46<\/td>\n18<\/td>\n4<\/td>\n134<\/td>\n82%<\/td>\n<\/tr>\n
Sentimental Value (2025)\u00a0 (extra)<\/em><\/span><\/td>\n88<\/td>\n48<\/td>\n20<\/td>\n2<\/td>\n158<\/td>\n85%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season programme January-May 2026<\/a>:<\/p>\n

\"2026<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2025 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
Rosalie (2023)<\/span><\/td>\n81<\/td>\n41<\/td>\n14<\/td>\n3<\/td>\n139<\/td>\n86%<\/td>\n<\/tr>\n
Heart of an Oak \/ Le Ch\u00eane (2022)<\/span><\/td>\n105<\/td>\n29<\/td>\n7<\/td>\n1<\/td>\n142<\/td>\n92%<\/td>\n<\/tr>\n
Comandante (2023)<\/span><\/td>\n73<\/td>\n55<\/td>\n13<\/td>\n1<\/td>\n142<\/td>\n85%<\/td>\n<\/tr>\n
All We Imagine as Light (2024)<\/span><\/td>\n24<\/td>\n52<\/td>\n40<\/td>\n5<\/td>\n121<\/td>\n70%<\/td>\n<\/tr>\n
The Seed of the Sacred Fig (2024)<\/span><\/td>\n67<\/td>\n23<\/td>\n5<\/td>\n3<\/td>\n98<\/td>\n89%<\/td>\n<\/tr>\n
Radical\u00a0 (2023)<\/span><\/td>\n118<\/td>\n10<\/td>\n1<\/td>\n1<\/td>\n130<\/td>\n97%<\/td>\n<\/tr>\n
Satu – Year of the Rabbit (2024)<\/span><\/td>\n63<\/td>\n36<\/td>\n10<\/td>\n0<\/td>\n109<\/td>\n87%<\/td>\n<\/tr>\n
I’m Still Here \/ Ainda estou aqui\u00a0 (2024)<\/span><\/td>\n77<\/td>\n32<\/td>\n6<\/td>\n0<\/td>\n115<\/td>\n90%<\/td>\n<\/tr>\n
A New Kind of Wilderness\u00a0 (2024)<\/span><\/td>\n38<\/td>\n13<\/td>\n5<\/td>\n0<\/td>\n56<\/td>\n90%<\/td>\n<\/tr>\n
Santosh\u00a0 (2024)<\/span><\/td>\n19<\/td>\n19<\/td>\n10<\/td>\n3<\/td>\n51<\/td>\n76%<\/td>\n<\/tr>\n
When Autumn Falls \/ Quand vient l’automne (2024)<\/span><\/td>\n52<\/td>\n57<\/td>\n12<\/td>\n1<\/td>\n122<\/td>\n83%<\/td>\n<\/tr>\n
Vermiglio (2024)<\/span><\/td>\n32<\/td>\n69<\/td>\n40<\/td>\n4<\/td>\n145<\/td>\n72%<\/td>\n<\/tr>\n
The Marching Band \/ En fanfare (2024)<\/span><\/td>\n137<\/td>\n9<\/td>\n1<\/td>\n3<\/td>\n150<\/td>\n97%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season brochure January – May 2025<\/a> (PDF):<\/p>\n

\"2025<\/a>\u00a0Click the image for the Season brochure September-November 2025<\/a>:<\/p>\n

\"2025<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2024 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
One Fine Morning \/ Un beau matin\u00a0 (2022)<\/span><\/td>\n52<\/td>\n57<\/td>\n35<\/td>\n5<\/td>\n149<\/td>\n76%<\/td>\n<\/tr>\n
1976\u00a0 (2022)<\/span><\/td>\n46<\/td>\n56<\/td>\n18<\/td>\n3<\/td>\n123<\/td>\n79%<\/td>\n<\/tr>\n
Past Lives\u00a0 (2023)<\/span><\/td>\n69<\/td>\n40<\/td>\n4<\/td>\n1<\/td>\n114<\/td>\n89%<\/td>\n<\/tr>\n
The Innocent \/ L’Innocent\u00a0 (2022)<\/span><\/td>\n60<\/td>\n56<\/td>\n10<\/td>\n0<\/td>\n126<\/td>\n85%<\/td>\n<\/tr>\n
The Quiet Girl \/ An Cail\u00edn Ci\u00fain\u00a0 (2022)<\/span><\/td>\n91<\/td>\n15<\/td>\n6<\/td>\n1<\/td>\n113<\/td>\n93%<\/td>\n<\/tr>\n
Anatomy of a Fall \/ Anatomie d’une chute\u00a0 (2023)<\/span><\/td>\n67<\/td>\n32<\/td>\n13<\/td>\n2<\/td>\n114<\/td>\n85%<\/td>\n<\/tr>\n
The Taste of Things \/ La Passion de Dodin Bouffant\u00a0 (2023)<\/span><\/td>\n68<\/td>\n43<\/td>\n20<\/td>\n5<\/td>\n136<\/td>\n82%<\/td>\n<\/tr>\n
Nezouh (2022)<\/span><\/td>\n50<\/td>\n53<\/td>\n12<\/td>\n1<\/td>\n116<\/td>\n83%<\/td>\n<\/tr>\n
Evil Does Not Exist \/ Aku wa sonzai shinai\u00a0 (2023)<\/span><\/td>\n10<\/td>\n41<\/td>\n46<\/td>\n20<\/td>\n117<\/td>\n59%<\/td>\n<\/tr>\n
The Teachers’ Lounge \/ Das Lehrerzimmer (2023)<\/span><\/td>\n49<\/td>\n64<\/td>\n15<\/td>\n5<\/td>\n133<\/td>\n80%<\/td>\n<\/tr>\n
If Only I Could Hibernate \/ Baavgal Bolohson\u00a0 (2023)<\/span><\/td>\n52<\/td>\n42<\/td>\n18<\/td>\n2<\/td>\n114<\/td>\n82%<\/td>\n<\/tr>\n
Rose (2022)<\/span><\/td>\n100<\/td>\n18<\/td>\n0<\/td>\n3<\/td>\n121<\/td>\n94%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season brochure January – May 2024<\/a> (PDF):<\/p>\n

\"Brochure<\/a><\/p>\n

Click the image for the Season brochure September-November 2024<\/a>:<\/p>\n

\"2024<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2023 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
Undine\u00a0 (2020)<\/span><\/td>\n23<\/td>\n46<\/td>\n21<\/td>\n5<\/td>\n95<\/td>\n73%<\/td>\n<\/tr>\n
Playground\u00a0\/ Un monde (2021)<\/span><\/td>\n25<\/td>\n31<\/td>\n20<\/td>\n9<\/td>\n85<\/td>\n71%<\/td>\n<\/tr>\n
The Good Boss \/ El buen patr\u00f3n\u00a0(2021)<\/span><\/td>\n65<\/td>\n41<\/td>\n4<\/td>\n1<\/td>\n111<\/td>\n88%<\/td>\n<\/tr>\n
Lingui, the sacred bonds\u00a0 (2021)<\/span><\/td>\n38<\/td>\n39<\/td>\n4<\/td>\n0<\/td>\n81<\/td>\n85%<\/td>\n<\/tr>\n
Lunana: a yak in the classroom\u00a0 (2019)<\/span><\/td>\n90<\/td>\n16<\/td>\n2<\/td>\n0<\/td>\n108<\/td>\n95%<\/td>\n<\/tr>\n
The Big Hit\u00a0\/ Un triomphe (2020)<\/span><\/td>\n70<\/td>\n31<\/td>\n4<\/td>\n1<\/td>\n106<\/td>\n90%<\/td>\n<\/tr>\n
Official Competition \/ Competencia oficial\u00a0(2022)<\/span><\/td>\n39<\/td>\n36<\/td>\n12<\/td>\n4<\/td>\n91<\/td>\n80%<\/td>\n<\/tr>\n
Decision to Leave \/ Heojil kyolshim (2022)<\/span><\/td>\n14<\/td>\n26<\/td>\n20<\/td>\n20<\/td>\n80<\/td>\n61%<\/td>\n<\/tr>\n
Love according to Dalva\u00a0(2022)<\/span><\/td>\n42<\/td>\n23<\/td>\n5<\/td>\n1<\/td>\n71<\/td>\n87%<\/td>\n<\/tr>\n
The Eight Mountains \/ Le otto montagne (2022)<\/span><\/td>\n54<\/td>\n38<\/td>\n3<\/td>\n1<\/td>\n96<\/td>\n88%<\/td>\n<\/tr>\n
Broker \/ Beurokeo\u00a0(2022)<\/span><\/td>\n35<\/td>\n38<\/td>\n17<\/td>\n4<\/td>\n94<\/td>\n78%<\/td>\n<\/tr>\n
Perfumes \/ Les Parfums\u00a0 (2019)<\/span><\/td>\n85<\/td>\n24<\/td>\n4<\/td>\n2<\/td>\n115<\/td>\n92%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season brochure January – May 2023<\/a> (PDF):<\/p>\n

\"Brochure<\/a><\/p>\n

Click the image for the Season brochure September – November 2023<\/a> (PDF):<\/p>\n

\"2023<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2022\u00a0 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
I’m Your Man \/ Ich bin dein Mensch\u00a0 (2021)<\/span><\/td>\n61<\/td>\n27<\/td>\n6<\/td>\n1<\/td>\n95<\/td>\n89%<\/td>\n<\/tr>\n
After Love\u00a0 (2020)<\/span><\/td>\n45<\/td>\n40<\/td>\n13<\/td>\n1<\/td>\n99<\/td>\n83%<\/td>\n<\/tr>\n
You Will Die at 20\u00a0 (2019)<\/span><\/td>\n15<\/td>\n34<\/td>\n13<\/td>\n3<\/td>\n65<\/td>\n73%<\/td>\n<\/tr>\n
Gagarine\u00a0 (2020)<\/span><\/td>\n21<\/td>\n28<\/td>\n13<\/td>\n4<\/td>\n66<\/td>\n75%<\/td>\n<\/tr>\n
C’est la vie \/ Le Sens de la f\u00eate\u00a0 (2017)<\/span><\/td>\n61<\/td>\n20<\/td>\n1<\/td>\n0<\/td>\n82<\/td>\n93%<\/td>\n<\/tr>\n
The Invisible Life of Euridice Gusmao \/ A vida invisivel\u00a0 (2019)<\/span><\/td>\n29<\/td>\n27<\/td>\n6<\/td>\n0<\/td>\n62<\/td>\n84%<\/td>\n<\/tr>\n
The Real Charlie Chaplin\u00a0 (2021)<\/span><\/td>\n22<\/td>\n33<\/td>\n11<\/td>\n1<\/td>\n66<\/td>\n79%<\/td>\n<\/tr>\n
Luzzu\u00a0 (2021)<\/span><\/td>\n27<\/td>\n40<\/td>\n8<\/td>\n3<\/td>\n78<\/td>\n79%<\/td>\n<\/tr>\n
Benediction\u00a0 (2021)<\/span><\/td>\n48<\/td>\n27<\/td>\n12<\/td>\n1<\/td>\n88<\/td>\n85%<\/td>\n<\/tr>\n
Parallel Mothers \/ Madres paralelas\u00a0 (2021)<\/span><\/td>\n52<\/td>\n28<\/td>\n5<\/td>\n1<\/td>\n86<\/td>\n88%<\/td>\n<\/tr>\n
Everything Went Fine \/ Tout s’est bien pass\u00e9\u00a0 (2021)<\/span><\/td>\n28<\/td>\n15<\/td>\n4<\/td>\n1<\/td>\n48<\/td>\n86%<\/td>\n<\/tr>\n
Wild Men \/ Vildm\u00e6nd\u00a0 (2021)<\/span><\/td>\n42<\/td>\n31<\/td>\n13<\/td>\n4<\/td>\n90<\/td>\n81%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click the image for the Season brochure January – May<\/a> (PDF):<\/p>\n

\"Brochure<\/a><\/p>\n

Click the image for the Season brochure September – November<\/a> (PDF):<\/p>\n

\"FrontCover2022b<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2019\/20 [2021]\u00a0 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
Everybody Knows \/ Todos lo saben\u00a0 (2018)<\/span><\/td>\n89<\/td>\n78<\/td>\n17<\/td>\n2<\/td>\n186<\/td>\n84%<\/td>\n<\/tr>\n
Cold War \/ Zimna wojna\u00a0 (2018)<\/span><\/td>\n84<\/td>\n78<\/td>\n27<\/td>\n2<\/td>\n191<\/td>\n82%<\/td>\n<\/tr>\n
Capernaum \/ Capharna\u00fcm\u00a0 (2018)<\/span><\/td>\n120<\/td>\n37<\/td>\n3<\/td>\n1<\/td>\n161<\/td>\n93%<\/td>\n<\/tr>\n
Woman at War \/ Kona fer \u00ed str\u00ed\u00f0\u00a0 (2018)<\/span><\/td>\n114<\/td>\n58<\/td>\n17<\/td>\n1<\/td>\n190<\/td>\n88%<\/td>\n<\/tr>\n
Yuli\u00a0 (2018)<\/span><\/td>\n123<\/td>\n39<\/td>\n6<\/td>\n3<\/td>\n171<\/td>\n91%<\/td>\n<\/tr>\n
The Guilty \/ Den skyldige\u00a0 (2018)<\/span><\/td>\n134<\/td>\n55<\/td>\n9<\/td>\n2<\/td>\n200<\/td>\n90%<\/td>\n<\/tr>\n
The Beaches of Agnes \/ Les Plages d’Agn\u00e8s\u00a0 (2008)<\/span><\/td>\n32<\/td>\n39<\/td>\n23<\/td>\n4<\/td>\n98<\/td>\n75%<\/td>\n<\/tr>\n
Styx\u00a0 (2018)<\/span><\/td>\n63<\/td>\n72<\/td>\n32<\/td>\n7<\/td>\n174<\/td>\n77%<\/td>\n<\/tr>\n
+ Autumn 2021<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Minari\u00a0 (2020)<\/span><\/td>\n33<\/td>\n36<\/td>\n4<\/td>\n1<\/td>\n74<\/td>\n84%<\/td>\n<\/tr>\n
3 Faces \/ Se rokh (2018)<\/span><\/td>\n24<\/td>\n41<\/td>\n26<\/td>\n3<\/td>\n94<\/td>\n73%<\/td>\n<\/tr>\n
Limbo\u00a0 (2020)<\/span><\/td>\n35<\/td>\n35<\/td>\n17<\/td>\n1<\/td>\n88<\/td>\n80%<\/td>\n<\/tr>\n
The Truffle Hunters\u00a0 (2020)<\/span><\/td>\n26<\/td>\n36<\/td>\n14<\/td>\n0<\/td>\n76<\/td>\n79%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click here to see the season brochure<\/a> (PDF).\u00a0 The season was disrupted by the Covid-19 lockdown and some programme changes were made when screenings resumed in Autumn 2021: details here<\/a>.<\/p>\n

\"Front<\/a><\/p>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2018\/2019\u00a0 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
A Fantastic Woman \/ Una mujer fant\u00e1stica\u00a0 (2016)<\/span><\/td>\n72<\/td>\n82<\/td>\n31<\/td>\n7<\/td>\n192<\/td>\n79%<\/td>\n<\/tr>\n
J\u00een\u00a0 (Turkey, 2013) BFMAF screening<\/em><\/span><\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n<\/tr>\n
Custody \/ Jusqu’\u00e0 la garde\u00a0 (2017)<\/span><\/td>\n97<\/td>\n49<\/td>\n4<\/td>\n2<\/td>\n152<\/td>\n90%<\/td>\n<\/tr>\n
Lost in Paris \/ Paris pieds nus\u00a0 (2016)<\/span><\/td>\n71<\/td>\n67<\/td>\n22<\/td>\n7<\/td>\n167<\/td>\n80%<\/td>\n<\/tr>\n
In Between \/ Bar Bahar\u00a0 (2016)<\/span><\/td>\n66<\/td>\n76<\/td>\n24<\/td>\n3<\/td>\n169<\/td>\n80%<\/td>\n<\/tr>\n
Scribe \/ La M\u00e9canique de l’ombre\u00a0 (2016)<\/span><\/td>\n73<\/td>\n70<\/td>\n44<\/td>\n6<\/td>\n193<\/td>\n77%<\/td>\n<\/tr>\n
The Square\u00a0 (2017)<\/span><\/td>\n40<\/td>\n66<\/td>\n45<\/td>\n11<\/td>\n162<\/td>\n71%<\/td>\n<\/tr>\n
Faces Places \/ Visages Villages\u00a0 (2017)<\/span><\/td>\n111<\/td>\n46<\/td>\n5<\/td>\n0<\/td>\n162<\/td>\n91%<\/td>\n<\/tr>\n
In the Fade \/ Aus dem Nichts\u00a0 (2017)<\/span><\/td>\n110<\/td>\n47<\/td>\n4<\/td>\n0<\/td>\n161<\/td>\n91%<\/td>\n<\/tr>\n
The Rider\u00a0 (2017)<\/span><\/td>\n77<\/td>\n72<\/td>\n17<\/td>\n6<\/td>\n172<\/td>\n82%<\/td>\n<\/tr>\n
The Wife\u00a0 (2017)<\/span><\/td>\n133<\/td>\n59<\/td>\n19<\/td>\n7<\/td>\n218<\/td>\n86%<\/td>\n<\/tr>\n
The Eagle Huntress\u00a0 (2016)<\/span><\/td>\n130<\/td>\n44<\/td>\n10<\/td>\n4<\/td>\n188<\/td>\n90%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click to look at the season brochure<\/a> (PDF):<\/p>\n

\"FrontCover2017\"<\/a><\/p>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2017\/2018\u00a0 Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nTotal Votes<\/td>\nPositive Response<\/td>\n<\/tr>\n
The Olive Tree \/ El olivo\u00a0 (2016)<\/span><\/td>\n130<\/td>\n41<\/td>\n2<\/td>\n2<\/td>\n175<\/td>\n93%<\/td>\n<\/tr>\n
Man Follows Birds (USSR, 1975)\u00a0BFMAF screening<\/em><\/span><\/td>\n–<\/td>\n\u00a0–<\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n–<\/td>\n<\/tr>\n
Sunrise\u00a0 (1927) (with live music accompaniment)<\/em><\/span><\/td>\n113<\/td>\n28<\/td>\n2<\/td>\n0<\/td>\n143<\/td>\n94%<\/td>\n<\/tr>\n
The Salesman \/\u00a0\u00a0Foru\u0161hande\u00a0 (2016)<\/span><\/td>\n58<\/td>\n65<\/td>\n35<\/td>\n1<\/td>\n159<\/td>\n78%<\/td>\n<\/tr>\n
Sweet Bean \/ An (2015)<\/span><\/td>\n106<\/td>\n54<\/td>\n12<\/td>\n1<\/td>\n173<\/td>\n88%<\/td>\n<\/tr>\n
Lady Macbeth (2017)<\/span><\/td>\n52<\/td>\n56<\/td>\n22<\/td>\n22<\/td>\n152<\/td>\n73%<\/td>\n<\/tr>\n
It\u2019s Only the End of the World \/ Juste la fin du monde\u00a0 (2016)<\/span><\/td>\n41<\/td>\n42<\/td>\n55<\/td>\n23<\/td>\n161<\/td>\n66%<\/td>\n<\/tr>\n
A Man Called Ove \/ En man som heter Ove (2015)<\/span><\/td>\n154<\/td>\n18<\/td>\n5<\/td>\n0<\/td>\n177<\/td>\n96%<\/td>\n<\/tr>\n
Les Cowboys\u00a0 (2015)<\/span><\/td>\n25<\/td>\n56<\/td>\n19<\/td>\n3<\/td>\n103<\/td>\n75%<\/td>\n<\/tr>\n
The Black Hen \/ Kalo Pothi\u00a0 (2015)<\/span><\/td>\n30<\/td>\n78<\/td>\n58<\/td>\n9<\/td>\n175<\/td>\n68%<\/td>\n<\/tr>\n
Frantz (2016)<\/span><\/td>\n132<\/td>\n50<\/td>\n7<\/td>\n0<\/td>\n189<\/td>\n92%<\/td>\n<\/tr>\n
The Other Side of Hope \/ Toivan tuolla puolen\u00a0 (2017)<\/span><\/td>\n48<\/td>\n66<\/td>\n17<\/td>\n3<\/td>\n134<\/td>\n80%<\/td>\n<\/tr>\n
The Shape of Water (2017)<\/span><\/td>\n59<\/td>\n26<\/td>\n13<\/td>\n7<\/td>\n105<\/td>\n83%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click to look at the season brochure<\/a> (PDF):<\/p>\n

\"FrontCover2017\"<\/a><\/p>\n

 <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2016\/2017\u00a0Season Titles<\/td>\nExcellent<\/td>\nGood<\/td>\nFair<\/td>\nPoor<\/td>\nNumber Voting<\/td>\nPositive Response<\/td>\n<\/tr>\n
Trumbo (2015)<\/span><\/td>\n90<\/td>\n28<\/td>\n4<\/td>\n1<\/td>\n123<\/td>\n92%<\/td>\n<\/tr>\n
April and the Extraordinary World \/ Avril et le monde truqu\u00e9 (2015)\u00a0BFMAF screening<\/em><\/span><\/td>\n34<\/td>\n32<\/td>\n3<\/td>\n2<\/td>\n71<\/td>\n85%<\/td>\n<\/tr>\n
Youth (2015)<\/span><\/td>\n76<\/td>\n49<\/td>\n30<\/td>\n9<\/td>\n164<\/td>\n79%<\/td>\n<\/tr>\n
The Second Mother \/Que horas ela volta? (2015)<\/span><\/td>\n44<\/td>\n74<\/td>\n30<\/td>\n3<\/td>\n151<\/td>\n76%<\/td>\n<\/tr>\n
Hector (2015)<\/span><\/td>\n71<\/td>\n64<\/td>\n10<\/td>\n1<\/td>\n146<\/td>\n85%<\/td>\n<\/tr>\n
Knife in the Water \/\u00a0N\u00f3z<\/span>\u00a0w wodzie (1962)<\/span><\/td>\n23<\/td>\n50<\/td>\n44<\/td>\n11<\/td>\n128<\/td>\n67%<\/td>\n<\/tr>\n
The Music of Strangers (2015)<\/span><\/td>\n90<\/td>\n23<\/td>\n7<\/td>\n0<\/td>\n120<\/td>\n92%<\/td>\n<\/tr>\n
Marguerite (2015)<\/span><\/td>\n51<\/td>\n47<\/td>\n21<\/td>\n5<\/td>\n124<\/td>\n79%<\/td>\n<\/tr>\n
Embrace of the Serpent \/El abrazo de la serpiente (2015)<\/span><\/td>\n49<\/td>\n46<\/td>\n30<\/td>\n8<\/td>\n133<\/td>\n76%<\/td>\n<\/tr>\n
Mustang (2015)<\/span><\/td>\n96<\/td>\n32<\/td>\n8<\/td>\n1<\/td>\n137<\/td>\n91%<\/td>\n<\/tr>\n
The Brand New Testament \/ Le Tout Nouveau Testament (2015)<\/span><\/td>\n70<\/td>\n29<\/td>\n13<\/td>\n3<\/td>\n115<\/td>\n86%<\/td>\n<\/tr>\n
Julieta (2016)<\/span><\/td>\n58<\/td>\n58<\/td>\n16<\/td>\n1<\/td>\n133<\/td>\n83%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Click to look at the season brochure<\/a> (PDF)<\/p>\n

\"FrontCover2016\"<\/a><\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Audience responses We evaluate our audience\u2019s responses to each screening and the latest figures are added to the table below soon after each film has been shown. You can also see our audience’s reactions to recent film seasons, giving an indication of BFS’s track record. 2026 Season Titles Excellent Good\u2026<\/p>\n

Continue reading<\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-72","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":0,"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/72\/revisions"}],"wp:attachment":[{"href":"https:\/\/berwickfilmsociety.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}